|1968||Ohio State University, Columbus, Ohio, B.F.A.|
|1968||Whitney Museum Independent Study Program, New York City|
Selected Grants and Awards
|2015||Anonymous Was a Woman Grant, 2015|
|2013||Artist Legacy Foundation Award|
|2011||Foundation for Contemporary Arts, 2011 Recipient|
|2000||Tesuque Foundation Grant. Peer nominated|
|1994||John Simon Guggenheim Memorial Fellowship|
|2018||Dona Nelson : Stand Alone Paintings, curated by Ian Berry, May 11–August 12, 2018, Tang Museum, Skidmore College, Saratoga Springs, New York|
|2017||Models Stand Close to the Paintings, Spring 2017, Thomas Erben Gallery, New York City|
|2016||Erasing Tracing Racing Paint, Polly Apfelbaum, Dona Nelson at Michael Benevento, Los Angeles, CA, March 12–May 7, 2016|
|2015||New Paintings, Thomas Erben Gallery, New York City, September 17–October 31, 2015|
|2014||Phigor, Thomas Erben Gallery, New York City, April–May, 2014|
|2010||VOLTA NY—Solo Booth, March 4–7, 2010|
|2008||in situ: paintings 1973–present Thomas Erben Gallery, New York City, April 24–May 31, 2008|
|2006||Brain Stain Thomas Erben Gallery, New York City|
|2003||Tactile Image Cheim and Read, New York City|
|2001||Stations of the Subway Cheim and Read, New York City|
|2000||Dona Nelson: The Stations of the Subway, Octopuses and Arrangements. Weatherspoon Art Gallery. University of North Carolina, Greensboro, North Carolina. Curator, Ron Platt. Catalogue Essay by Klaus Kertess|
|1999||Parks and Portraits: Dona Nelson, 1983–88 Pennsylvania Academy of Fine Arts, The Morris Gallery, Philadelphia, Pennsylvania. Essay by Sanford Schwartz|
|1996||Michael Klein Gallery, New York City|
|1993||Michael Klein Gallery, New York City|
|1990, 1989||Scott Hanson Gallery, New York City|
|1985||A room of painting at P.S.1, Long Island City, New York|
|1983||Hamilton Gallery, New York City|
|1982||Oscarsson Hood Gallery, New York City|
|1975||Rosa Esman Gallery, New York City|
Selected Group Exhibitions
Snarl of Twine, June 21st–July 27th, 2018, Magenta Plains, New York City
Unpainting, curated by Nicholas Chambers, Australia, September 30, 2017–August 15, 2018, Art Gallery of New South Wales
Jackie Gendel and Dona Nelson, Art Basel, Nova Section, December 2017, Thomas Erben Gallery
Painters Sculpting / Sculptors Painting, February 2–March 25, 2017, Fleisher / Ollman Gallery, Philadelphia
We might not have a planet left soon, curated by Adrianne Rubenstein, April 27–June 17, 2017, GalerieKornfeld, Berlin
The Reflection in the Sword of Holofernes, March 4–May 13, 2017, Galveston Artist Residency, Galveston, Texas
Off Screen, Jacob Ciocci, Storm De Hirsch, Paul Gagner, Dona Nelson, Raha Raissnia, Pieter Schoolwerth, Microscope Gallery, Brooklyn, New York, May 20–June 20, 2016
Physical Painting, Richard and Dolly Maass Gallery, School of Art+Design, Suny Purchase, curated by Jennifer Samet, in conversation with Scott Wolniak, March 2016.
Feed the Meter, curated by Wallace Whitney, September 26th–January 9th, 2016, Galerie Bernard Ceysson, Wandhaff, Luxembourg.
Wayfarers, curated by Ginny Kollack, June–September, 2015, The Philip and Muriel Berman Museum of Art, Ursinus College, Collegeville, Pennsylvania.
Pretty Raw: After and Around Helen Frankenthaler, February 10–July 6, 2015, The Rose Art Museum at Brandeis University, curated by Katy Siegel.
Making Sense: Rochelle Feinstein, Deborah Grant, Iva Gueorguieva, Dona Nelson, curated by Margaret Miller, Director USF Institute for Research in Art, and Megan Voeller, Associate Curator of Education, USF Contemporary Art Museum; organized by USF Contemporary Art Museum, September 25–December 12, 2014.
NADA Art Fair, Thomas Erben Gallery, Miami Beach, Florida, 2014.
In the Office of the Drunken Monkey, Tiger Strikes Asteroid New York, August 8–September 7, 2014.
The 2014 Whitney Biennial
NADA Art Fair, Thomas Erben Gallery, Miami Beach Florida
Outside the Lines, Curated by Dean Daderko, Curator, CAMH, October 31, 2013–January 12, 2014, Contemporary Arts Museum Houston, Houston, Texas.
Dyeing Merging Multitasking, organized by Leeza Meksin, July 17–August 18, 2013, Ortega y Gasset Projects, Queens, New York.
Untitled (Hybrid), curated by Kate McNamara; Robert Miller Gallery, April 19–June 1, 2013
Three in Doubles, Shanna Waddell, Kelly McCraven, Dona Nelson; April, 2013, Fjord, Philadelphia.
Sadie Benning, Thomas Kovachevich, Dona Nelson; Callicoon Fine Arts, New York City
|2012||Low Epic, curated by Sheryl Oppenheim, Chashama, New York City
Simpatico, Boston University Art Gallery, at the Stone Gallery, September 7 to October 21, 2012, curated by Kate McNamara, Director and Chief Curator, Boston University Art Gallery
Mary Boone Gallery, New York City, 745 Fifth Avenue, March 22–April 28, 2012
Salon Zürcher, Zürcher Studio, 33 Bleecker Street, New York City, March 5–12, 2012
NADA Art Fair, Miami Beach, Florida, December 1–4, 2011
Affinities: Painting in Abstraction, curated by Kate McNamara, D'Amelio Terras Gallery, New York City, June 30–August 19, 2011
Texture,txt, Regina Rex, Queens, NYC, January 6–February 13, 2011
From the Page’s Edge: Water in Literature and Art, traveling exhibition, curated by Jean Creighton. Next venue, Lake Champlain Maritime Museum, Vermont, opening May 29, 2011
A Painting Show, temporary space, 508 West 26th Street, Harris Lieberman Gallery, organized by Laura Raicovich and Jessie Washburne-Harris, May 6–June 4, 2011, New York City
15 Years Thomas Erben Gallery, May 6–June 4, 2011, New York City
Incipent Image, curated by Stephen Maine, New York City, Lesley Heller Gallery, March
Vivid, curated by Janet Phelps, Schroder, Romero & Shredder
40, Texas Gallery, June 15–July 31, 2010
PASTORALE, curated by Klaus Kertess, NYU, 80WSE, New York City, September 14–October 16, 2010
Animate Matter, Pia Maria Martin, Dona Nelson, Richard Staub, Rose Wylie, Thomas Erben Gallery, New York City
Pushing Paint, Museum of Nebraska Art, Fall, 2009
Spaced Out/On Time, September 11–October 11, Canada Gallery, New York City
Thomas Erben Gallery at Chatterjee & Lai, Mumbai, India. August 2008. Affinities Redux, Ramapo College, November 2008, curated by Kate McNamara
Charismatic Abstraction, Chris Martin, Moira Dryer, Mike Cloud, John L. Moore Richmond Center for Visual Arts, University of Western Michigan, Kalamazoo, Michigan
|2007||CCS Bard Spring Exhibitions, March, Bard College|
Scope Art Fair/Miami, Thomas Erben Gallery
Still Life, Monya Rowe Gallery, New York City
|2005||Field Questions, Rosenwald-Wolf Gallery, The University of the Arts, Philadelphia|
|2004||Art/Basil/Miami, Cheim and Read Gallery|
WTC, Living in the Shadows, Bronx River Art Center, Bronx, New York
Wall Street Rising—Art Downtown, New York City
Fordham University at Lincoln Center, New York City
Jump,The Painting Center, New York City
Vivid, Richard Salmon Gallery, London, England. Traveled to Mead Gallery, Warwick Arts Center, Conventry (April 27–June 28, 2002) and to Northern Gallery for Contemporary Art, Sutherland (July 12–August 23, 2002)
|2000||Beyond the Mountains: The Contemporary American Landscape, Newcomb Art Gallery, Tulane University, New Orleans, Louisiana|
Group Exhibition at Marlborough Gallery/Chelsea, New York City
Small Paintings, Cheim and Read Gallery, New York City
View II, Mary Boone Gallery, New York City. Curated by Klaus Kertess
|1997||Essential Gestures, Johnson County Community College, Overland Park, KS. Curated by Bruce Hartman|
Face to Face: Recent Abstract Painting, M.I.T. List Visual Art Center, Cambridge, Massachusetts
Painting All-Over Again, Palacia de Montemuzok, Zaragoza, Spain. Curated by Saul Ostrow
Method and Multiclicity, Apex Art, New York City. Curated by Richmond Burton
|1995||25 Americans: Painting in the 90's, Milwaukee Art Museum, Milwaukee, Michigan|
|1991||American Narrative Painting and Sculpture: The 1980's, from the Collection of The Metropolitan Museum of Art, Nassau County Museum of Art, Roslyn Harbor, New York|
Four Artists, Artists Space, New York City. Curated by Elizabeth Murray
Ripe Fruit, P.S.1, Long Island City, New York City. Curated by Lisa Liebmann
|1984||The Figure in Paint, Cable Gallery, New York City. Curated by Klaus Kertess|
|1983||The Painterly Figure, The Parrish Art Museum, Southampton, New York. Curated by Klaus Kertess|
Body Language: Recent Figuration, Hayden Gallery, M.I.T., Cambridge, Massachusetts
Contemporary Painting: Figuration, USCB, Santa Barbara, California
26 Contemporary Women Artists, Aldrich Museum of Contemporary Art, Ridgefield, Conencticut. Curated by Lucy Lippard
10 Young Artists: Theodoran Awards, Solomon Guggenheim Museum, New York City
|1968||Whitney Independent Study Program, The Whitney Museum of American Art, New York City|
Polly Apfelbaum, Dona Nelson at Michael Benevento, Contemporary Art Daily, May 3, 2016.
David Pagel, Critic's Choice: Renegade abstractions of Polly Apfelbaum and Dona Nelson make for a stellar art show, Los Angeles Times, March 18, 2016.
Annabel Osberg, Polly Apfelbaum/Dona Nelson, Artillary, April 13, 2016.
Edith Newhall, Galleries: For galleries, it's the season to indulge, The Inquirer, August 9, 2015.
Roberta Smith, The Best in Art in 2015, The New York Times, December 9, 2015.
Review: 'Pretty Raw' Recounts Helen Frankenthaler's Influence on the Art World, Roberta Smith, The New York Times, June 3, 2015.
Hyperallergic Weekend, May31, 2015. Martha Buskirk on Pretty Raw: Art After and Around Helen Frankenthaler, 02/10 to 06/07/15, curated by Katy Siegel.
Vogue Magazine, July issue, pp. 140 – 141.
Julian Kreimer, “Dona Nelson,” Art in America, June/July, pp.140-141.
Barry Schwabsky, “Dona Nelson,” Artforum, Summer, 2014.
Roberta Smith, “Phigor: Dona Nelson,” The New York Times, May 9th.
Rick Briggs, “Phigor: Go Figure,” Hyperallergic, May 3rd.
“Dona Nelson,” Goings on About Town: Art, The New Yorker, May 12th.
Fabian Lopez, “the Alchemy of Phigor and Others,” Title Magazine, April 21st.
“Past, Present, Futurism,” Barry Schwabsky, The Nation, April 12, 2014.
Peter Schjeldahl, “The Whitney Biennial,” The New Yorker, March 17, 2014.
Ted Loos, Vogue, March issue, p.520.
“Female Painters,” (with photograph of Okie Dokie), New York Times, February 28, 2014.
Jerry Saltz, “Seeing Out Loud: There’s a Smart Show Struggling to Get Out of this Big, Bland Whitney Biennial,” Vulture.com
Andrew Russeth, “The Whitney Biennial Disappoint, With Misfires, Omissions, Only Glimmers of Greatness,” Gallerist, Observer.com, March 6, 2014.
Holland Cotter, “One Last Dance in the Old Place,” New York Times, March 6, 2014.
Samantha Melamed, “Philadelphia artists shine at Whitney Biennial,” philly.com, The Inquirer, February 26, 2014.
Steven Zevitas, Huffpost Arts & Culture, December 20, 2013.
Edith Newhall, “Galleries: Woodmere show focuses on contemporary art,” The Inquirer, June 3, 2013.
|2012||Cate McQuaid, “Ornate,pushy,celebratory – yet all compatible,” The Boston Globe, September 19, 2012.|
“12 Painters to Watch In 2012,” Steven Zevitas, Huffington Post, 12/27/11.
“Fair Play: NADA,” joannemattera.blogspot.com
“12 to Watch in 2012: Publisher's Picks,” newamericanpaintings.wordpress.com
Faye Hirsh, “Lawler, Wearing Put Women on Top at Gallery Week,” Art in America, online International Review.
Stephen Truax, “At Regina Rex, Latin Roots Woven Together,” bushwickbk.com.
Andrew Russeth, www.16miles.com, February 2, 2011.
Susie Kalil, “Woman power:Texas Gallery's 40 sends a welcome jolt through the Houston art scene,” Culturemap Houston.
Wendy Vogel, “40, Texas Gallery Houston,” Art Lies, Issue 66.
|2009||Roberta Smith, “Spaced Out/On Time,” The New York Times, September 25.|
Roberta Smith, “Art in Review, Dona Nelson,” The New York Times, May 23, p. E26.
Unsigned. The New Yorker, May 19th, p.16.
|2007||Edith Newhall, “Get Thee to Elkins Park,” The Philadelphia Inquirer, 10/12.|
jameswagner.com. “Dona Nelson at ThomasErben,” 9/14.
Carrie Moyer. “Brain Stain,” The Brooklyn Rail, October.
Holland Cotter. “Art in Review; Dona Nelson,” The New York Times, 9/22.
Stephen Maine. “Dona Nelson at Thomas Erben,” Art in America, December, p. 149.
Stephen Westfall. “Dona Nelson at Cheim & Read,” Art in America, June, pp/ 117–118.
Jerry Saltz. “Rays of Light,” www.artnet.com/magazine/features, January 27.
Unsigned. www.villagevoice.com/nightguide, January 29.
Unsigned. “Previews,” Contemporary, #47/48, p. 38.
Unsigned. “Art,” The New Yorker, February 3, pp. 19–20.
Ken Johnson. “Dona Nelson, Art Reviews,” The New York Times, January 31.
Paul Mattick. “Dona Nelson at Cheim & Read,” Art in America, June, pp. 124–125.
Edith Newhall. “Subway Series,” New York Magazine, January 15, p.68.
Unsigned. “Art,” The New Yorker, January 29, p. 18.
Robert Mahoney. “Dona Nelson; 'Stations of the Subway',” Time Out, New York, January 25 February 1, p.64.
Ann Landi. “Dona Nelson,” ARTnews, April, p. 141.
Roberta Smith. “Dona Nelson,” Art Reviews, The New York Times, February 16.
Roberta Smith. “Last Chance,” The New York Times, February 23.
|1999||Brown, Gerard. “Review/Art,” Philadephia Weekly, January 27, p. 34.|
|1998||Johnson, Ken. “Review/Art,” The New York Times, May 1, p. E43.|
Hirsh, Faye. “Abstracting the Familiar [The Work of Dona Nelson],” Art in America, February.
Ostrow, Saul. “Essential Gestures,” Johnson County Community College Gallery of Art, Overland Park, Kansas, exhibition catalogue.
Smith, Roberta. “Dona Nelson: Paradox Lake,” The New York Times, March 29, p. 25.
MacAdam, Alfred. “Dona Nelson, ARTnews, June, p. 149.
Ostrow, Saul. “Painting All-Over Again,” Palacio de Montemuzo, Zaragoza, Spain, exhibition catalogue.
Posner, Helene. “Face to Face: Recent Abstract Painting,” M.I.T. List Visual Arts Center, Cambridge, MA, exhibition catalogue.
Yablonsky, Linda. “Dona Nelson at Michael Klein Inc.,” Artforum, January. Hirsh, Faye.
“Dona Nelson at Michael Klein,” Art in America, May.
Saltz, Jerry. “A Year in the Life: Tropic of Painting, Art in America, October.
Whelan, Richard. “ Interview with Dona Nelson,” Bomb Magazine,
Lieberman, William. “American Narrative painting and Sculpture: the 1980's,” Nassau County Museum of Art, Roslyn Harbor, NY, exhibition catalogue.
Smith, Roberta. “Review/Art,” The New York Times, August, p. C22. 1990.
Unsigned. “Art,” The New Yorker, June 11, p. 20.
Pardee, Hearne. “In the Galleries,” Art and Antiques, November.
Liebmann, Lisa. “Dona Nelson's Time Pieces,” Artforum, March, pp. 90-93.
Smith, Roberta. “Tales of Ordinary People Told in Bits and Pieces,” The New York Times, March 31, 1989.
Reid, Calvin. “Dona Nelson and Archie Rand at Scott Hanson,” Art in America, November.
Jacobs, Joseph. “Faces Since the Fifties,” Center Gallery, Bucknell University, Lewisburg, Philadelphia, exhibition catalogue.
Kertess, Klaus. “The Painterly Figure,” The Parrish Art Museum, Southampton, New York, exhibition catalogue.
Kramer, Hilton. “Dona Nelson,” The New York Times, January 25.
Unsigned. “Dona Nelson,” Arts Magazine, March.
Nelson, Dona. [Letter to the Editor.] Artforum, September.
Lucy Lippard. “26 Contemporary Women Artists,” Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, exhibition catalogue.
Shearer, Linda. “Ten Young Artists: Theodoron Awards,” Solomon R. Guggenheim Museum, New York City, exhibition catalogue.
Eight Young Figurative Artists Who Live in Philadelphia, curated by Dona Nelson, Fjord Gallery, November 7–23, 2014
The Fluid Field: Abstraction and Reference, October, 2007, Tyler School of Art, Temple University, Elkins Park, Pennsylvania
In Front of Strangers I Sing, the 72nd Annual Exhibition, The Woodmere Museum, Chestnut Hill, Philadelphia, juried/curated by Dona Nelson and Rubens Ghenov, June through August, 2013
Public and Corporate Collections
- The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, New York
- Perez Art Museum, Miami, Florida
- The Rose Art Museum, Brandeis University, Waltham, Massachusetts
- Boston Museum of Fine Arts, Boston, Massachusetts
- Kadist Art Foundation, San Francisco and Paris
- Committee for the Visual Arts/M.I.T. Collection, Cambridge, Massachusetts
- Metropolitan Museum of Art, New York City
- Solomon R. Guggenheim Museum, New York City
- Contemporary Art Museum, University of South Florida,Tampa, Florida
- Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania
- State University of New York, Albany, New York
- William & Uytendale Scott Memorial Study Collection, Bryn Mawr College, Bryn Mawr, Pennsylvania
- Nordstern, Cologne, Germany
- Progressive Corporation, Cleveland, Ohio
- General Mills, Minneapolis, Minnesota
- Microsoft Corporation, Seattle, Washington
- The Weatherspoon Art Gallery, Greensboro, North Carolina
- Art Gallery of New South Wales, Sydney, Australia
- Albright - Knox Art Gallery
- The Museum of Nebraska Art
Professor of Painting and Drawing, Tyler School of Art, Temple University, Philadelphia
Bard MFA Program, Milton Avery Graduate School of the Arts, Summer 2012, Summer 2015